So you say you can poet?

Iambic pentameters, tetrameters, and meters
Oh my!
what a trip it is to the fairy land
Hoping to embark in prose
Offering a parody to play
Iambically relaying
My present Is denouncing
emphasizing, and de-emphasizing
who’s stanza’s say it’s verses
remembering to be organized in rhythms
partakes a light and heavy syllable to the end
in monosyllables
recharging itself with disyllabic feet
and syntactical constituents
never forgetting the lineation
that offers rhyming
it’s token of regulation
leaving the shade
to the trees and senses
forgiveness comes with the sound speech/phonology
thumping with structure
concurs an off-beat/on-beat
resilient prosody devotion
handing to it the “caesura”
of a Ballad meter/common meter
Traditionally standard or classical
My Metrical analysis
Stays Weakly stressed
So you can rest in heavily stressed
Diffused and coherent
Rhythmical modulation